مشاهدة الكلاسيكيات
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Richard Peña / الولايات المتحدة الأمريكية, قطر / 2022 / 120 min / غير معروف / Unknown / In الإنجليزية / لا توجد ترجمة subtitles
الملخص
Watching the Classics – ‘The 1970s, The 1980s: Decades of Transition’
A monthly lecture series with Professor Richard Peña
Doha Film Institute is delighted to present ‘Watching the Classics’, an online programme where filmmakers and cinephiles can deepen their knowledge of film history. Presented by renowned scholar Richard Peña—Professor of Film Studies at Columbia University and Director Emeritus of the New York Film Festival—this series of lectures/discussions each focuses on an undisputed world cinema classic.
In the monthly sessions, Professor Peña will present a given film within its aesthetic, economic, technological and social/political context, detailing each director’s formal techniques while teasing out the implications of these artistic and technical decisions.
To get the most from the programme, participants are recommended to view the selected films before each session, and all are readily available through various popular streaming services.
During the lecture, select images and clips will be included for discussion, and participants will be able to send Professor Peña questions, which will be addressed at the end of each session.
Join us for this chance to revisit some of your favourite films—or to discover works that have helped change the course of film history.
‘The 1970s, The 1980s: Decades of Transition’
Lecture Series Introduction by Professor Richard Peña
“History” rarely organises itself in neatly circumscribed, decades-long segments: tendencies that flower in one period were often already present in an earlier period—while many aspects associated with one era continue long after. Nevertheless, after the extraordinary creative fervour of the Sixties and before the digitalisation of cinema in the Nineties, one can truly see the Seventies and Eighties as decades of transition: no longer the essential audio-visual storytelling medium—having been de-throned by television—the cinema sought new ways of reaching audiences and organising its production.
New voices began to emerge: the Hindi commercial cinema, sometimes condescendingly called “Bollywood,” emerged as a major export cinema, taking over markets long abandoned by Hollywood. Filmmaking in Africa, long stifled due to colonialism, became one of the era’s most important developments, whereas films from both the People’s Republic of China and Australia were now seen at international film festivals as well as in art houses.
In the USA, the studios’ move to the “blockbuster strategy”, in which they produced far fewer films but marketed them more aggressively than ever, opened a space for waves of independently produced films that addressed the lives and concerns of many groups absent from American screens. In short, the Seventies and Eighties proved decades in which the fears over what had happened to the cinema, as well as concerns as what was to come, created an unsettled, turbulent atmosphere that sparked many works whose impact would long be felt across the international cinema.
Join us for this survey of some of the most influential and challenging works of the 1970s and 1980s, the decades that, in so many ways, laid the groundwork for the cinema today.
This nine-part series, ‘The 1970s, The 1980s: Decades of Transition’, will explore a cinematic period of transition, analysing some of its major trends and tendencies as well as offering discussions of some of its most emblematic works. Each session will feature an in-depth analysis of one particular film—highlighted directors include R.W. Fassbinder, Steven Spielberg, Ramesh Sippy, Souleymane Cissé, Chen Kaige, Gus Van Sant, Vasily Pichul, and Jane Campion.
Session 1: Martha, 1974, R.W. Fassbinder, West Germany
29 April 2024 / 5:30 PM – 7:30 PM (Doha Time, GMT+3)
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Session 2: The Mouth Agape, 1974, Maurice Pialat, France
27 May 2024 / 5:30 PM – 7:30 PM (Doha Time, GMT+3)
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Session 3: Jaws, 1975, Steven Spielberg, USA
1 July 2024 / 5:30 PM – 7:30 PM (Doha Time, GMT+3)
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Session 4: Sholay, 1975, Ramesh Sippy, India
29 July 2024 / 5:30 PM – 7:30 PM (Doha Time, GMT+3)
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Session 5: The Wind, 1982, Souleymane Cissé, Mali
26 August 2024 / 5:30 PM – 7:30 PM (Doha Time, GMT+3)
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Session 6: Yellow Earth, 1985, Chen Kaige, PRC
30 September 2024 / 5:30 PM – 7:30 PM (Doha Time, GMT+3)
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Session 7: My Brother’s Wedding, 1983, Charles Burnett, USA
28 October 2024 / 5:30 PM – 7:30 PM (Doha Time, GMT+3)
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Session 8: Little Vera, 1987, Vasily Pichul, USSR
25 November 2024 / 5:30 PM – 7:30 PM (Doha Time, GMT+3)
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Session 9: Sweetie, 1989, Jane Campion, Australia
TBC January 2025 / 5:30 PM – 7:30 PM (Doha Time, GMT+3)
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Language: English
Lecture Fee - 50 QAR/session
Eligibility
This programme is open to applicants over the age of 18. The sessions are best suited for those with some knowledge of filmmaking and who wish to expand their understanding of film history.
Registration Process:
• To register and secure your place, purchase a ticket online to this event from above session links.
• Your registration will be confirmed once your payment is processed.
• You will receive all necessary webinar links via email reminders before the sessions.
نبذة عن المخرج
Richard Peña
كان ريتشارد بنيا مديراً لبرنامج جمعية السينما لمركز لينكولن ومدير مهرجان نيويورك السينمائي من عام 1988 حتى عام 2012.
في جمعية السينما، نظم بنيا فعاليات وجلسات استرجاعية للعديد من فناني السينما الذين أثروا تاريخ الفن السابع، بالإضافة إلى سلسلة أفلام رئيسية مخصصة للعديد من دور السينما الوطنية.
جنبا إلى جنب مع يوني فرانس، في عام 1995، أنشأ بنيا راندي- فوو مع السينما الفرنسية، والذي سرعان ما أصبح العرض الأمريكي الرائد للسينما الفرنسية الجديدة.
يعمل بنيا أستاذًا لدراسات السينما والإعلام في جامعة كولومبيا، حيث يتخصص في نظرية الأفلام والسينما الدولية كما عمل أستاذًا زائرًا في جامعة السوربون، وجامعة بكين، وجامعة المكسيك الوطنية المستقلة وجامعة ساو باولو. كما أنه يستضيف حاليًا البرنامج الأسبوعي ريل 13 على دابيليو نت/ قناة 13.